I have chosen to describe psychological states of social impact and ideology through abstract objects. They come from living experiences including reality, human remembrance and imagination. These moments reflect the relationship of space and time, the transformation of substances, even the smells. I work with intuitive and sensual marks which are collected from my daily life. Revealing the paint trace and erasing mark deliberately is my intention to emphasize the processes involved in artistic production. Moreover, these various procedures of application and cancellation become an intersection where my life experience and idea about painting collide, creating an ongoing dialogue between work and myself. Leaving the space of imagination allows viewer to freely interpret the artwork and opens a new possibility of thinking.