I have chosen to describe psychological states of social impact and ideology through abstract objects. They come from living experiences including reality, human remembrance and imagination. These moments reflect the relationship of space and time, the transformation of substances, even the smells. I work with intuitive and sensual marks which are collected from my daily life. Revealing the paint trace and erasing mark deliberately is my intention to emphasize the processes involved in artistic production. Moreover, these various procedures of application and cancellation become an intersection where my life experience and idea about painting collide, creating an ongoing dialogue between work and myself. Leaving the space of imagination allows viewer to freely interpret the artwork and opens a new possibility of thinking.

創作對我來說是對自己思考的反饋,主要通過抽象表現的手法,詮釋被社會影響和意識形態的心理。作品串連自身經驗的心境、詩歌及哲學上的表述,其中包含真實對象、人的感知、記憶及想像。『關係』是我主要討論的話題:時間與空間的關係、物質間轉換的關係、甚至氣味與情緒的關係。

作品中,直覺和感性的記號是從每天的生活經驗而來,暗喻某種狀態及純粹對形體的探索。再者,藉由有意識地留下塗抹的痕跡,強調藝術生產中所涉及的過程,這些建構及解構的步驟成為生活經驗和繪畫思想碰撞的交匯點,並創造畫面和我之間的對話。

 

作品畫面刻意留下想像的空間,透過觀眾自由的詮釋來達到與作品的連結,開啟另一種新的思維方式。